Jen Marlowe
Communications Associate
Naila and the Uprising (Co-Producer, 2017)
Witness Bahrain (Director / Producer, 2015)
One Family in Gaza (Director / Producer, 2011)
Inside the Culture of Resistance: A Conversation with Suheir Hammad and reg e gaines (Co-director, 2010)
Rebuilding Hope: Sudan's Lost Boys Return Home (Director, Producer, 2009)
Darfur Diaries: Message from Home (Co-director / Co-producer, 2006)
I Am Troy Davis (Haymarket Books, 2013)
The Hour of Sunlight: One Palestinian's Journey from Prisoner to Peacemaker (Nation Books, 2011)
Darfur Diaries: Stories of Survival (Nation Books, 2006)

Jen Marlowe is an author/documentary filmmaker/playwright and human rights/social justice activist. She is the founder of donkeysaddle projects, which uses film, writing, theatre and other artistic platforms to amplify the resilience and courage of those who have been marginalized and oppressed and are choosing resistance with humanity and dignity. She is also the part-time Communications Associate for Just Vision, which uses media to support the grassroots efforts of Palestinians and Israelis working to end the occupation and build a future of freedom, equality and dignity.

Jen’s most recent documentary film, Witness Bahrain (2015), documents the aftermath of the Bahraini regime’s crackdown on pro-democracy and human rights activists.

Her previous film, One Family in Gaza (2011), profiled one family’s experience during and after the 2009 assault on the Gaza Strip. One Family in Gaza received the Audience Award at the Bellingham Human Rights Film Festival in 2013.

Jen’s most recent book, I Am Troy Davis (Haymarket Books, 2013), was written with and about Georgia death row prisoner Troy Davis, who was executed in 2011 despite a world-wide outcry over his strong case of innocence. Maya Angelou said about I Am Troy Davis: "Here is a shout for human rights and for the abolition of the death penalty. This book, I Am Troy Davis, should be read and cherished."

Jen’s previous book, The Hour of Sunlight (Nation Books, 2011), was co-authored with and tells the story of Sami Al Jundi, a Palestinian man from the Old City of Jerusalem who spent ten years in Israeli prison for militant activity against the occupation and then spent the next two decades fighting nonviolently to end the occupation. The Hour of Sunlight won the London-based Middle East Monitor’s 2012 Palestine Book Award for the best English language book about Palestine.

Jen is also the playwright of There is a Field. The play addresses issues faced by Palestinian citizens of Israel. The play launched globally in October 2010, to mark the ten-year anniversary of Black October.

Jen has made two films about Sudan. In 2004, she traveled to Northern Darfur and Eastern Chad with colleagues Adam Shapiro and Aisha Bain to make the documentary film Darfur Diaries: Message from Home (2006) which won Best of Fest at the Transcontinental Film Festival. She also wrote the accompanying book Darfur Diaries: Stories of Survival (Nation Books, 2006). Darfur Diaries was included in the 2007 edition of the Best American Non-Required Reading, edited by Dave Eggers.

Rebuilding Hope (2009), follows three Sudanese-American young men on their first homecoming trip back to South Sudan, to discover whether their homes and families survived the civil war and to build a school, drill wells and bring medical supplies to their villages in Sudan. Alice Walker said of the film: "Rebuilding Hope...is a deeply moving study in loss and suffering, in courage, in wisdom about the meaning of Life as Humans that seems as old as continent of Africa."

Jen has also worked on video projects about Honduras, Brazil, Gaza, and the U.S. Criminal Justice System for human rights organizations including Amnesty International USA, Frontline Defenders, the Innocence Network and Death Penalty Focus.

Jen’s writings about Palestine/Israel, Sudan and the criminal justice system can be found in the Nation, the Guardian, the Progressive, Tomdispatch.com, Ha’aretz, Seattle Times and Yes! Magazine. She has been awarded travel grants from the Pulitzer Center on Crisis Reporting and The Nation Institute Investigative Fund and was granted a writing residency at Hedgebrook.